Author: shamus_Admin

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REQUIEM by Shamus Coghlan

Digging deep and with a slightly slower BPM I present to you Requiem. This is a bit more towards the Dub Techno side but with some heavy modulations that should dig you deep.
Requiem was done with a deep focus on analog delays, analog synths, and something for the mind to explore.

Combined forces on a very special collaboration with Sean Tate on Remember Why You Started Records RWYS 005 this was pressed to vinyl. Vinyl was mastered by the legendary Simon with myself helping get the digital files mastered with Paul Mac. We all agreed to make the artists sound the best and fullest over the loudest. In short the louder it is played the better it sounds.

The vinyl includes some very talented artists and exceptional and unique releases that must not be missed. If you love Techno, and especially Detroit style techno you owe it to yourself to grab a very limited edition of this vinyl.

Our History, Our Heritage, Our Culture Vol 2 RWYS 005

Artists Include:
A1. Josh Garret – Another Scarred Earth
A2. Roger Van Lunteren – Outer Views
A3. Shamus Coghlan – Requiem

B1. Space Time Distortion – Particle Accelerator (LHC Mix)
B2. Sean Tate – A Matter Of Separation

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STRAND Resilience RWYS 004 (Shamus Coghlan remix)

Straight out of Detroit on RWYS Records 004 with the legendary producers STRAND comes the Resilience 12″.

This release was mastered by Simon at The Exchange and had special Artwork by Abu Qadim Haqq



A1. Dust Off (Reel X Real Rmx)
A2. Paradox
A3. Trupa

B1. Paradox (Shamus Coghlan Remix)
B2. Trupa (DJ Sting Ray Remix)

Sean Tate aka The Butcher had pulled together yet another amazing release with these legendary artists. Strand original tracks are included plus remixes by Shamus Coghlan and DJ Stingray. From classic dance floor with modern production and passion this is one release and remix I am very proud of and PLAY LOUD on the Dance Floor.

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Thunder Bay EP

In this modern world of technology it truly is a marvel that we can share our music across the world for all to hear in basically the same high quality that came out of the studio monitors. Yes I do have good monitors and acoustics so what I make here in the Magix Snap Studio is very close to what the final art should be. No loss in generations, tapes not being calibrated correctly, lacquers changing the sound due to the physical limitations but rather an exact representation with out middle men and incompatible costs not to mention compromises.

The Thunder Bay EP marks a change and direction in acknowledging where I come from, why I make the music I do and subtly pays homage to a part of my heritage. IT IS about the MUSIC and having it accessible to anyone who wants to appreciate this in the least compromised format(s).

Working closely with Paul Mac on the mastering I believe we have achieved some of my best sounding music to date. The Buzz EQ Paul used seemed to be the perfect tool to help us achieve a dynamic and not compressed sound scape that stretches wide, deep, with all the subtleness of the analog gear used. No question the acoustics in the studio have helped greatly to achieve a more accurate mix also and an great ROI but being able to send files back and fourth in perfect quality is no small change in the progression of how far we have come as a society.

Collaborating with the best people around the world to help push music and art forwards well not forgetting the important values quality is what this EP is about well being it accessible on all streaming services.

Aurora Borealis:
Dance Floor Big Warehouse banging techno track to bring it home for that (“just one more”) end of the party feeling. ENCORE!!

The Weather Experience:
Listen and Experience! The Winds of Change, Analog Colours, Air, Space and Depth in a rich harmonically landscape.

Band Camp Purchase Now